Art historian Antoon Melissen curates exhibitions and publishes internationally on Dutch art in an international context.
Special focus on art from the late 1950s, 1960s and 1970s – from informal and ZERO to conceptual tendencies, radical abstraction and fundamental panting.

Contemporary
A keen interest in current tendencies. 
Connector and storyteller. Translating complex concepts into eye-openers that inspire enthusiasm.

Publications
Publications include monographs, essays and catalogue texts for European and American museums and galleries. Translations in English, German, Italian, Czech, Chinese, French, Polish and Papiamento.

Notable collaborations​
​Stedelijk Museum Amsterdam
Museum Prinsenhof Delft
Museum & Stadtgalerie Klagenfurt
Solomon R. Guggenheim Museum, NY
The New York Public Library, New York
Museum Valkhof, Nijmegen
​BRUTUS, Rotterdam
Stedelijk Museum Schiedam
Staatliches Museum Schwerin
Daimler Art Collection, Stuttgart/Berlin
​Kunstmuseum, The Hague
Peggy Guggenheim Collection, Venice
Von der Heydt-Museum, Wuppertal

Armando Foundation, Amsterdam
Jan Henderikse Foundation, Amsterdam
Theo Niermeijer Foundation, Amsterdam
​André Volten Foundation, Amsterdam
Estate Lothar Wolleh, Berlin
ZERO foundation, Düsseldorf
Fondazione Piero Manzoni, Milan
Estate Herbert Zangs, Munich
Herbert Zangs Archive, Paris
Jan Schoonhoven Foundation, Rotterdam
Estate Oskar Holweck, Saarbrücken
Günther Uecker Institut, Schwerin
RKD, The Hague

BorzoGallery, Amsterdam
Coppejans Gallery, Antwerp
The Mayor Gallery, London
Weng Fine Art, Monheim am Rhein
David Zwirner, New York
Memphis Film & Television, Utrecht